2017.032.005 Oral History Interview with David Lober, June 17, 2003

 

David Lober was part of the dance ensemble in Rodger and Hammerstein’s 1958 musical “Flower Drum Song.” He has also performed in numerous musicals during the 1940s through 1960s such as “Wonderful Town,” “My Fair Lady,” “Here’s Love,” and “Fiddler on the Roof.” In this interview, David shares various aspects of his experience on “Flower Drum Song,” including auditioning, working with choreographer Carole Haney and director Gene Kelly, serving as dance captain, being let go during the national tour, appealing his firing through an Actors’ Equity arbitration, and meeting his wife, who was also a dancer on the show. He also offers his thoughts on critiques that the show modeled offensive Asian stereotypes, David Henry Hwang’s modern rewriting of the show and whether it was sacrilegious to rewrite musicals from the golden era, and how he thinks musical theater has changed since the 1940s and 1950s. This interview is one of a series of 18 interviews that author David Lewis Hammarstrom conducted in 2003 as part of research for his book, Flower Drum Songs: The Story of Two Musicals (2006).

0:00 - Auditioning for “Flower Drum Song,” other musicals he worked on, recollection of Hammerstein, Gene Kelly, working with Carole Haney on choreography, how he felt about her choreography as a dancer

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5:41 - How he felt about Gene Kelly’s direction of the show, why Barry Stewart may have been let go, did not know if Gene Kelly was demoted to choreographer, Jack Soo, asked if anything struck him as odd during the audition or rehearsal process, only two dancers were non-Asian

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11:28 - Asked about having any recollections of Richard White, he and White were fired on the road during national tour, appealed and went to arbitration, why he was fired, Actors’ Equity ruling, given small compensation, other dancer fired, was made dance captain on national tour, was not on Broadway, Ed Kenney dancing

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17:03 - Changes made as dance captain on tour, not much recollection of audience reaction in Boston, thoughts about changes in New York, thoughts on show in Boston, audience reception compared to other Broadway shows, thoughts on critique of show modeling offensive Asian stereotypes

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23:34 - Asked about reasons for closing of show even though it was still doing respectable business, opening night and reviews in New York, asked whether “Flower Drum Song” was more in tune with Asian culture than other shows

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27:07 - Thoughts on David Henry Hwang’s rewriting of the show, discussion between Hammarstrom and Lober on whether it is sacrilege to rewrite musicals from the golden age generally, cast agreement on it being a mediocre or lacking show

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34:41 - Asked if he would like to share anything else, more on the arbitration, other Hammersteins involved in show, his most memorable show

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38:50 - How he thinks musical theater has changed since the 1940s and 1950s, met his wife who was also a dancer on “Flower Drum Song,” show or opera in San Francisco [muffled], asked about changing choreography in “Chop Suey”

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