0:00 - 问候,家人,在悉尼出生成长,学跳舞,厄尔.佩吉 Greetings, family, born and raised in Sydney, learning dancing, Earle Page
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12:48 - 第一份夜总会工作,加入表演行业,二战参军 First nightclub job, got into show business, drafted during WWII
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32:28 - 避战乱从故里回到旧金山,在紫禁城夜总会工作,在圣荷西和里诺,与战友保罗一起演出,来到纽约后,在阿波罗剧院和中国娃娃夜总会工作 Returning home from the war, arriving in San Francisco, working at the Forbidden City nightclub, performing an act with war buddy Paul in San Jose and Reno, Coming to New York, working at the Apollo Theater and China Doll.
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52:43 - Tito Puente和中国娃娃本会乐队,拉丁乐队,员工及表演者的人数比列,参加俱乐部的成本,中国娃娃夜总会富裕的中国顾客的轶事 Tito Puente and the China Doll house band, Latin bands, employee and performer demographics at the China Doll, cost of attending the club, anecdote about a wealthy Chinese patron at the China Doll.
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67:10 - 中国娃娃夜总会的顾客,Shavey Lee,其他唐人街企业(中国巷等),中国娃娃的倒闭,工资,及非华人表演者 Patrons of the China Doll, Shavey Lee, other Chinatown businesses (China Lane, etc.), Downfall of the China Doll, Salary, Non Chinese performers.
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78:40 - 中国娃娃夜总会难忘的表演,同Bob Chen,Charlie Lo(紫禁城夜总会的老板)一同参观紫禁城夜总会,与第一任妻子的旅行演出,在紫禁城夜总会演出 Memorable performances at the China Doll, Visiting Forbidden City nightclub with Bob Chan, Charlie Lo (owner of Forbidden City), Traveling act with first wife, Performing at Forbidden City
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98:05 - 在花鼓歌曲中担任角色,紫禁城夜总会的倒闭,中国表演者的缺乏,萨米·戴维斯的轶事,种族主义,娱乐业标准的变化 Being cast in Flower Drum Song, downfall of Forbidden City, lack of Chinese performers, anecdote about Sammy Davis, racism, changes in entertainment standards
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110:11 - 演出行业的差异,少数民族表演者的待遇,回到军队休假,停止跳舞成为喜剧演员/歌手 Differences in the show business industry, treatment of minority performers, taken back to the military for being absent over leave, stopped dancing to become a comedian/singer
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