0:00 - Background on Marilyn and Daniel, moving into their apartment in 1970, discussion of businesses that they remember in their neighborhood, discussion of the moving borders of Chinatown and the surrounding neighborhoods. Expansion of Chinatown.
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17:09 - When the neighborhood started changing, artists moving out of their building, new landlords bringing the building up to code. Introduction to Marilyn and Daniel’s artifacts, their sentimental value, remembering different times in their lives. Anecdote about a burgling incident at their apartment.
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30:04 - Daniel’s outlook on collecting, more description of their building, their apartment, and their artifacts. Updating their apartment, old features that are no longer around. Marilyn and Daniel collect old street signs; they discuss the significance of their signs. Getting furniture for their apartment on the street.
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47:12 - Other things that you used to be able to find on the streets of New York, the transformative power of objects, more about their collections, more about other tenants in the building, other artists who lived and worked nearby.
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60:18 - How Marilyn and Daniel describe the geographical location where they live, they define this as Chinatown and Little Italy, how Chinatown has moved to encompass their apartment, nuanced relationship between outsiders and insiders in Chinatown.
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67:47 - The traditional music you hear on the street and in the subway near and around Chinatown, discussion of music and theory generally. Daniel talks about a music group he was a part of called Chinatown.
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81:36 - Describing the force of energy in Chinatown, what it feels like to be labelled as foreign and all of the different connotations, Chinatown not as a place to mingle, but as a place to come.
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90:44 - If they had their portraits painted, what would they include from Chinatown? Changing perceptions of Chinatown, what they would include in a community archive, involvement in the community.
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110:24 - Conclusions on the interview.
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