0:00 - Researching about show and role, auditioning for role of Linda Low in Los Angeles, not getting the part, offered understudy, they already had someone else, was this ethical, heard director Longbottom was not happy with everyone in the cast
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6:31 - Director Longbottom had abrasive relationship with actors, these strained relationships were typical in other shows, reason for behavior, by personality Longbottom had more power over show than Hwang, was like jekyll and hyde in front of the cast vs. Hwang
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13:14 - Was the chance that Los Angeles cast would continue to New York addressed, only half of cast continued with show, Hwang not involved with selecting who would go to New York, some spoke up against Longbottom and abuse, equity rep, tape recorded it, why abusive, why so many of cast left behind
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21:18 - Los Angeles production was special because of camaraderie among cast, announcement of who would go to New York, Blythe did not get chosen, how others heard whether they would go, how was it like on “Miss Saigon,” not as bad as Longbottom, others disappointed about not going to New York
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26:56 - What she heard about the show in New York, did not see it, reflections looking back on experience, happiest memory of “Flower Drum song” in Los Angeles, camaraderie among the women, did she feel let down by Mary Rodgers, she was not the one who made selections, wrote letter but not sure if effective or sent
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