2017.032.014 Oral History Interview with Blythe Matsui, Septemer 15, 2003

 

Blythe Matsui was cast as an understudy in the Los Angeles production of David Henry Hwang’s 2002 revisal of Rodgers and Hammerstein’s musical “Flower Drum Song.” In this interview, Blythe discusses researching and auditioning for the role of Linda Low, not getting the part, being offered the job of understudy, and her disappointment about not being selected to go on to the subsequent New York production. She also provides a candid behind the scenes view  into the strained relationship director Robert (“Bobby”) Longbottom had with cast members. This interview is one of a series of 18 interviews that author David Lewis Hammarstrom conducted in 2003 as part of research for his book, Flower Drum Songs: The Story of Two Musicals (2006).

0:00 - Researching about show and role, auditioning for role of Linda Low in Los Angeles, not getting the part, offered understudy, they already had someone else, was this ethical, heard director Longbottom was not happy with everyone in the cast

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6:31 - Director Longbottom had abrasive relationship with actors, these strained relationships were typical in other shows, reason for behavior, by personality Longbottom had more power over show than Hwang, was like jekyll and hyde in front of the cast vs. Hwang

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13:14 - Was the chance that Los Angeles cast would continue to New York addressed, only half of cast continued with show, Hwang not involved with selecting who would go to New York, some spoke up against Longbottom and abuse, equity rep, tape recorded it, why abusive, why so many of cast left behind

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21:18 - Los Angeles production was special because of camaraderie among cast, announcement of who would go to New York, Blythe did not get chosen, how others heard whether they would go, how was it like on “Miss Saigon,” not as bad as Longbottom, others disappointed about not going to New York

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26:56 - What she heard about the show in New York, did not see it, reflections looking back on experience, happiest memory of “Flower Drum song” in Los Angeles, camaraderie among the women, did she feel let down by Mary Rodgers, she was not the one who made selections, wrote letter but not sure if effective or sent

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