0:37 - Workshops in New York, how many workshops, writers and directors, year of the first reading, 1999, how the show changed between shows, tone changing
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10:34 - First reading, autonomy, David Henry Hwang, audience for the workshop, prospective producers, reaction to the workshop, October opening, rehearsal
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20:49 - Pressure felt, long process, LA
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22:25 - David Henry Hwang, thematic content, process continuing in LA, changes occurring during rehearsals in LA, audience perception once show opened in LA
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30:36 - Audience, directing
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35:30 - Personality changing during LA direction, pressure or ego, 9/11, going back to New York, not being happy, socializing with the cast, “Miss Saigon”
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44:21 - How Thomas feels presenting “Flower Drum Song,” perception of audience’s reaction compared to “Miss Saigon,” contemporary musicals, Asian stereotypes
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53:48 - Characterization of stereotypes [distorted]
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