0:00 - 介绍,第一次舞台演出,她的导师,紫禁城夜总会 Intro, first on-stage performance, her mentor, Forbidden City
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9:04 - 影响和灵感,兄弟姐妹,培训,中国娃娃,月亮女神舞 Influences and inspirations, siblings, training, China Doll, Moon Goddess Dance
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19:48 - 她演出中的音乐,中国娃娃和紫禁城两个夜总会的不同,成为喜剧演员,女演员的完美身材 Music used in her act, Differences between the China Doll and Forbidden City, being a comedian, body ideal for women performers
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31:00 - 对民族表演的期待,观众的期待,男性和女性演员的区别 Expectations for ethnic performances, audience expectations, male vs. female performers
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37:38 - 过去和现在的性别角色对比,白人社区和亚裔社区的性别角色对比,40年代美国华人演员面对的挑战 Gender roles then vs. now, Gender roles in Caucasian vs. Asian communities, challenges faced by Chinese-American performers in 40's, Pressures faced by performers
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43:43 - 表演业自40年代到现在的改变,演员试镜,重忆她职业生涯的经历(在Leon and Eddie's俱乐部演出,来到纽约,在中国娃娃夜总会演出) The shift in performance art from the 40's to now, Casting auditions, recollections of her career experiences (performing at Leon and Eddie's, coming to New York, performing at China Doll)
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49:50 - 中国娃娃夜总会的关闭,夜总会业的衰落 Closing of China Doll, downfall of the nightclubs
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51:20 - 二战时给军队表演,给军队表演和给普通民众表演的不同,表演在悲剧发生的时刻,在鼓舞军队士气的时候所起的作用,给部队演出的报酬,二战期间种族问题带给表演者的困难 performing for the troops during WWII, differences between performing for troops and the general public, role of entertainment during times of tragedy, Troop morale, compensation for military performances, difficulties for some performers during WWII due to ethnic
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59:34 - 演出服装设计,失去的职业机会,成为经纪人,星探,从一个演员到经纪人的转变,民族表演者的挑战,角色排练的变化 Designing costumes, missed career opportunities, becoming a talent agent, scouting talent, transitioning from a performer to an agent, challenges for ethnic performers, changes in casting practices
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80:48 - 中国扇子舞,与采访者看文章、海报和演出服装的一些对话 Chinese fan dance, general conversation while looking at articles, posters and costumes.
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