Wing Ma (Ma Wing Guo) was born in China to a poor farming family who moved to Hong Kong as refugees when he was age two. Wing talks about his life growing up in Hong Kong with his mother working in the garment industry and his father working as a chef in Manila. He studied until post-secondary school before moving to the United States to train and work as an engineer. Wing would eventually join the garment industry as a factory owner, and describes the industry decline over time due to overseas competition. This would also lead to his own factory closure. He details workers pay, union benefits such as healthcare, and his involvement with union negotiations as a member and president of the Garment Manufacturers Association. Wing also talks about his involvement with other community organizations following his transition into the liquor industry, such as the Asian American Advisory Council under Peter Vallone and Community Board Three. He shares his experiences acting as a liaison between the government and the local community and shares some of the positive changes this brought to Chinatown. During the September 11th, 2001 attacks, he recalls being shocked and upset that he was unable to reach friends and loved ones. He talks about the effects of the attacks on Chinatown through his personal experiences as a building landlord. He recalls the mass exodus of tenants from the area and the difficulty in obtaining support from relief funds for the Chinatown community. He discusses the need for the government to subsidize and support businesses returning to the area to improve the local economy. He also encourages the Chinatown community to become more active and participate in local government or social work. He concludes with a discussion of his thoughts on the future of the garment industry and alternative job prospects for Chinatown residents.

Wing Ma (Ma Wing Guo) was born in China to a poor farming family who moved to Hong Kong as refugees when he was age two. Wing talks about his life growing up in Hong Kong with his mother working in the garment industry and his father working as a chef in Manila. He studied until post-secondary school before moving to the United States to train and work as an engineer. Wing would eventually join the garment industry as a factory owner, and describes the industry decline over time due to overseas competition. This would also lead to his own factory closure. He details workers pay, union benefits such as healthcare, and his involvement with union negotiations as a member and president of the Garment Manufacturers Association. Wing also talks about his involvement with other community organizations following his transition into the liquor industry, such as the Asian American Advisory Council under Peter Vallone and Community Board Three. He shares his experiences acting as a liaison between the government and the local community and shares some of the positive changes this brought to Chinatown. During the September 11th, 2001 attacks, he recalls being shocked and upset that he was unable to reach friends and loved ones. He talks about the effects of the attacks on Chinatown through his personal experiences as a building landlord. He recalls the mass exodus of tenants from the area and the difficulty in obtaining support from relief funds for the Chinatown community. He discusses the need for the government to subsidize and support businesses returning to the area to improve the local economy. He also encourages the Chinatown community to become more active and participate in local government or social work. He concludes with a discussion of his thoughts on the future of the garment industry and alternative job prospects for Chinatown residents.

This oral history focuses on People of the Golden Vision’s treasurer and founding member Cindy Lobach, as she reflects on the role of the paper sculptures in the Golden Venture detainees’ eventual release. She discusses how the sculptures have ended up in many unexpected places, which speaks to their lasting cultural impact. Lobach reflects on how the detainment of the Golden Venture refugees and their beautiful artwork changed their supporters and the people of York. She also discusses how the creation of these paper sculptures gave the detainees hope for a better future. Lobach describes these refugees’ difficulties adapting to York and the racist attitudes many people have towards immigrants. She hopes that visitors to the exhibit will be come to understand that many immigrants who come to the United States undocumented do so because they are fleeing persecution and there is no other choice for them. She hopes the exhibit will show the potential of art to change lives.